The Film­ga­lerie 451 pro­duces, pub­lishes and de­liv­ers – not only their own – films which, due to their in­no­v­a­tive and non­con­formist na­ture, are com­mer­cially too risky – for ex­am­ple, the films of Christoph Schlin­gen­sief or Heinz Emigholz. The cor­po­rate de­sign func­tions sim­ply: a mono­chrome colour con­cept, type­writer-ty­pog­ra­phy and a strong cen­tral im­age.

The Film­ga­lerie 451 pro­duces, pub­lishes and de­liv­ers “dar­ing” films. As oblique, ex­per­i­men­tal and un­usual as the movies is the de­sign of the cover. The de­mand: work out the char­ac­ter of the film vi­su­ally. The rows have a dis­tinc­tive ty­po­graphic de­sign; the use of colour and im­age, with con­stants and vari­ables within the se­ries, hap­pen con­sciously and have al­lowed a 451 base lan­guage to de­velop. The Film­ga­lerie 451 was rep­re­sented at the 2014 Berli­nale by 4 films.

The in­ter­na­tional con­fer­ence Foot­bridge, or­gan­ised by the head of the de­part­ment of “De­sign and Con­struc­tion – Solid Con­struc­tion” of the TU Berlin, in­vites bridge builders from all over the world to ex­change their per­spec­tives and ideas and to learn from each other. With “Tell a Story”, the con­fer­ence par­tic­i­pants were in­vited to sub­mit their thoughts on pedes­trian bridges. The nu­mer­ous “sto­ries” were pub­lished in the con­fer­ence reader. Moni­teurs has de­signed a com­pletely new look, which has been im­ple­mented in dig­i­tal and ana­logue in­for­ma­tional ma­te­ri­als such as the Bridge Finder app, web­site, bill­boards, a pro­gram guide and wayfind­ing sys­tem for the sixth con­fer­ence.