The Phil­har­monic Choir Berlin is one of the most renowned or­a­to­rio choirs in Ger­many. For the 125th an­niver­sary, the tra­di­tional choir, founded in 1882, pre­sented it­self with a new look de­signed by Moni­teurs. Af­ter the 2007/​2008 sea­son, among other things, the posters of the con­cert se­ries in the Berliner Phil­har­monie Moni­teurs are in­di­vid­u­ally de­signed, Moni­teurs de­vel­oped in the course of the 2017/​2018 sea­son, a re­design of vi­sual com­mu­ni­ca­tion tools, which now the self-un­der­stand­ing of the choir – ana­log and dig­i­tal – into the city life trans­fers. Ty­pog­ra­phy and color trans­late the mood of the choral pieces vi­su­ally and make them vi­su­ally sound. The poly­phonic texts are at the cen­ter of the de­sign con­cept.

The Film­ga­lerie 451 pro­duces, pub­lishes and de­liv­ers – not only their own – films which, due to their in­no­v­a­tive and non­con­formist na­ture, are com­mer­cially too risky – for ex­am­ple, the films of Christoph Schlin­gen­sief or Heinz Emigholz. The cor­po­rate de­sign func­tions sim­ply: a mono­chrome colour con­cept, type­writer-ty­pog­ra­phy and a strong cen­tral im­age.

Médecins sans Fron­tières is a No­bel Peace Prize win­ning emer­gency med­ical or­gan­i­sa­tion that op­er­ates in con­flict zones around the world. Since 2000, Moni­teurs has been re­spon­si­ble for the cor­po­rate de­sign of the Ger­man branch. The year 2014 has seen the or­gan­i­sa­tion sharpen its im­age: clear, in­de­pen­dent, pro­fes­sional – these are the es­sen­tial at­trib­utes. Moni­teurs’ task is to re­flect these at­trib­utes in print. The cor­po­rate de­sign is kept open in or­der to be able to speak specif­i­cally to the dif­fer­ent tar­get groups. The colour red and the con­cise ty­pog­ra­phy, de­vel­oped for Médecins sans Fron­tières by Moni­teurs – a “rough” head­line cut, based on the font Fago – have be­come im­por­tant dis­tin­guish­ing fea­tures for the or­gan­i­sa­tion.