Dur­ing the Berli­nale 2014 at the Berghain Kan­tine, the Film­ga­lerie 451 cel­e­brated the pre­mieres of four films: “The Airstrip” by Heinz Emigholz, “Three Stones for Jean Genet”, by Frieder Schlaich, “Every­thing that rises must con­verge” and “La Ul­tima Pec­ula”, by Raya Mar­tin and Mark Per­an­son. Moni­teurs de­signed a 16-page book­let as a per­sonal in­vi­ta­tion with pho­tog­ra­phy and graph­ics from the films, which was printed in lim­ited edi­tion on a Riso­graph. The Riso­graph prints with a par­tic­u­larly gen­tle sten­cil print­ing process in the style of screen print­ing, which makes it pos­si­ble to print with bright, beau­ti­ful colours.

The Film­ga­lerie 451 pro­duces, pub­lishes and de­liv­ers “dar­ing” films. As oblique, ex­per­i­men­tal and un­usual as the movies is the de­sign of the cover. The de­mand: work out the char­ac­ter of the film vi­su­ally. The rows have a dis­tinc­tive ty­po­graphic de­sign; the use of colour and im­age, with con­stants and vari­ables within the se­ries, hap­pen con­sciously and have al­lowed a 451 base lan­guage to de­velop. The Film­ga­lerie 451 was rep­re­sented at the 2014 Berli­nale by 4 films.

The Phil­har­monic Choir Berlin is one of the most renowned or­a­to­rio choirs in Ger­many. For the 125th an­niver­sary, the tra­di­tional choir, founded in 1882, pre­sented it­self with a new look de­signed by Moni­teurs. Af­ter the 2007/​2008 sea­son, among other things, the posters of the con­cert se­ries in the Berliner Phil­har­monie Moni­teurs are in­di­vid­u­ally de­signed, Moni­teurs de­vel­oped in the course of the 2017/​2018 sea­son, a re­design of vi­sual com­mu­ni­ca­tion tools, which now the self-un­der­stand­ing of the choir – ana­log and dig­i­tal – into the city life trans­fers. Ty­pog­ra­phy and color trans­late the mood of the choral pieces vi­su­ally and make them vi­su­ally sound. The poly­phonic texts are at the cen­ter of the de­sign con­cept.